The Garage Museum of Contemporary Art and the academic journal *The Garage Journal* have published an anthology dedicated to the themes of accessibility and inclusion in contemporary art and culture. The volume was compiled and edited by Dmitry Bezuglov—a translator, journalist, and curator of the public program for the Ural Industrial Biennial of Contemporary Art.
A distinctive feature of this anthology is that it brings together—under a single cover—texts that, while united by a common theme, vary significantly in genre and form, ranging from artistic and scholarly pieces to journalistic writing and beyond.
In today’s world, where the legitimacy of metatheories is constantly being re-examined and an increasing number of individual voices and personal stories are coming to the fore, it feels essential to reintroduce the concept of the "anthology" (or *khrestomatiya*) into research practice. Amidst an ever-expanding deluge of information—and the consequent need to navigate it—this format, which might have seemed long forgotten, has regained a particular relevance. By facilitating an interdisciplinary and transdisciplinary perspective on a given phenomenon, the anthology offers the reader insight into the complexity and diversity of approaches used to understand it. In his introductory essay, "At Home in the Museum," Dmitry Bezuglov writes: "Following the authors of the first issue of *The Garage Journal*, I turn my attention to the image of the museum—to those who work within it, those who visit it, the fluid identity of the institution, and the multitude of elements that constitute it."