Unlike Gintaras Patackas's previous bilingual work, the new poem was prepared for publication in Lithuania and was practically being completed simultaneously, almost racing with the Russian translation.

The book's ironic absurdism, dark humor, stream of consciousness, blend of styles, and centonism connect it with the tradition of domestic modernism and postmodernism. Its provocatively uncharacteristic rigid iambic form, compared to contemporary Western poetry, makes it particularly appealing to Russian-speaking translators and readers.