Marion Fayolle portrays her characters as if they were actors on a stage, choreographing infinitely graceful ballets across the pages—ballets imbued with both sentimentality and intimacy. In *The Naked House* (*Голый дом*), she depicts the shifting proximity—the drawing together and drifting apart—of three troubled characters, all set against the backdrop of the crumbling building that once sheltered them.
Télérama

Like pieces of a vast, as-yet-unseen puzzle, the books Marion Fayolle has published over the last decade share certain common threads while remaining distinct from one another. *The Naked House* serves as a new building block in her rich, expansive universe, offering the reader a musical—on paper.

Three strangers, each sabotaging their own life, take up residence in a building slated for demolition. To fill the void within, they lay bare their feelings to one another. A friendship gradually blossoms between them, and the crumbling house becomes a sanctuary from the outside world.

In *The Naked House* by French artist Marion Fayolle—a work rich in visual metaphors and a deep love for the art of dance—the narrative weaves together reflections on the pain we inflict upon ourselves, the beauty of melancholy, and the fear of loneliness.